Joe Henderson may have been the most significant tenor saxophonist to emerge in the 1960s. Gary Giddins wrote that he is “…an irresistibly lucid player, whose adroitness in conjuring stark and swirling riffs contributed immeasurably to two of the most durable jazz hits of the ’60s, Horace Silver’s ‘Song for My Father’ and Lee Morgan’s […]
McCoy Tyner
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Jazz at 100 Hour 69: School of Trane – Wayne Shorter, Archie Shepp, Charles Lloyd, & Pharoah Sanders
Charles Lloyd No tenor player cast a larger shadow over the 1960’s than John Coltrane. Arguably, that time frame could be expanded to include all decades since, as well. Several contemporary tenor players who emerged as singular and important voices in the 1960s were specifically in his debt: his friend and colleague – Wayne Shorter, […]
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Jazz at 100 Hour 68: John Coltrane – The Final Act
John Coltrane is undoubtedly one of the most influential players in the history of jazz, yet his important work fits within a brief twelve-year period (1955 – 1967). Previously in this series we have covered his work in the 1950s with Miles Davis for Prestige and Columbia, his blowing sessions on Prestige, his solo work […]