Henry Threadgill Much of Jazz at 100 Today! so far has focussed on younger musicians who are making their mark on the music. In this hour, we look at the late career honors for Henry Threadgill and Wadada Leo Smith who have been honored by the Pulitzer Prize Committee and Wayne Shorter, the recipient of […]
Wayne Shorter
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Jazz at 100 Hour 97: Highlights of Jazz in the Early 2000s (1999 – 2003)
The Bad Plus This is the 97th of 100 programs in the Jazz at 100 series. We move now into the 21st century, presenting music from less than twenty years ago. Which of these performances will have lasting value? What players will be remembered for their contributions to advancing the music? What trends will turn […]
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Jazz at 100 Hour 88: Acoustic Jazz Lives (1972 – 1978)
Woody Shaw Jazz-rock fusion was a powerful force in the music in the early seventies, but noticeably began to run out of steam mid-decade. European influences began to gain traction as the decade progressed as represented by the rise of ECM. American acoustic jazz musicians, who seemed to be taken for granted, continued to produce […]
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Jazz at 100 Hour 86: Weather Report (1971 – 1976)
Joe Zawinul – Jaco Pastorius – Wayne Shorter By 1970, Wayne Shorter and Joe Zawinul were recognized as two of the finest hard bop composers and players having contributed the full range of their talents to The Jazz Messengers and Miles Davis Quintet (in Shorter’s case) and the Cannonball Adderley Quintet (in Zawinul’s). Both contributed […]
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Jazz at 100 Hour 78: Sons of Miles – Wayne Shorter, Herbie Hancock, and Tony Williams (1964 – 1968)
Tony Williams During the five-year tenure of Miles Davis’s Second Great Quintet (1963 – 1968), Wayne Shorter, Herbie Hancock and Tony Williams were very active on their own projects, many of which included Ron Carter. Several of the resulting releases are classics of the period and laid the foundation for their significant careers after the […]
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Jazz at 100 Hour 77: Miles Davis and the Second Great Quintet (1963 – 1968)
Miles Davis – Herbie Hancock – Wayne Shorter Miles Davis, through his adoption of modal music, participated in the gradual liberation that resulted in the free music of the jazz avant-garde – liberation from chord changes, from rhythm, from harmony, from melody, from structure. Yet, although he continued to explore broadly, he was public in […]
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Jazz at 100 Hour 69: School of Trane – Wayne Shorter, Archie Shepp, Charles Lloyd, & Pharoah Sanders (1964 – 1969)
Charles Lloyd No tenor player cast a larger shadow over the 1960’s than John Coltrane. Arguably, that time frame could be expanded to include all decades since, as well. Several contemporary tenor players who emerged as singular and important voices in the 1960s were specifically in his debt: his friend and colleague – Wayne Shorter, […]
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Jazz at 100 Hour 60: The Jazz Messengers Continued (1960 – 1964)
Freddie Hubbard – Curtis Fuller As the 1960s began Art Blakey’s Jazz Messengers were fueled by the compositions of Wayne Shorter with the front line of Shorter and Lee Morgan. In 1961, this transitioned to the last great Messengers lineup of the 1960s – and it was one of the best ever – Freddie Hubbard on […]
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Jazz at 100 Hour 59: Jazz and Bossa Nova (1958 – 1963)
João Gilberto – Antônio Carlos Jobim – Stan Getz Fueled by the 1959 international release of the movie Black Orpheus and through reports from US jazz players returning from South American tours, the Brazilian music Bossa Nova (Portugese for “new trend” or “new wave”) found its way into American jazz in the early 1960s, becoming […]