Capriccio continues its survey of Walter Braunfels’ music. This installment features music for the piano — mostly piano four-hand music. Braunfels was a concert pianist, so these works lay well on the keyboards. And they also demand a lot from the players. Tatjana Blome and Holger Groschopp perform with distinction. Their interpretation of Braunfels Post-Romantic […]
Tatjana Blome
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Music of Ursula Mamlok, Vol. 5 — A study in contrasts
Volume five of Bridge Record’s Ursula Mamlok survey is a study in contrasts. Mamlok moved from a neo-classical style at the start of her career in the 1940s to a highly personal version of atonality by the time of her death in 2016. This release presents some of Mamlok’s earliest compositions, as well as some […]