Woody Shaw Jazz-rock fusion was a powerful force in the music in the early seventies, but noticeably began to run out of steam mid-decade. European influences began to gain traction as the decade progressed as represented by the rise of ECM. American acoustic jazz musicians, who seemed to be taken for granted, continued to produce […]
Ron Carter
-
-
Jazz at 100 Hour 77: Miles Davis and the Second Great Quintet (1963 – 1968)
Miles Davis – Herbie Hancock – Wayne Shorter Miles Davis, through his adoption of modal music, participated in the gradual liberation that resulted in the free music of the jazz avant-garde – liberation from chord changes, from rhythm, from harmony, from melody, from structure. Yet, although he continued to explore broadly, he was public in […]
-
Jazz at 100 Hour 56: Bebop Lives (1961 – 1971)
Sonny Stitt Bebop was a revolutionary new music in the late 1930s, dominated jazz in the 1940s, and powerfully influenced all jazz that followed. By the 1960s it still had its adherents who were producing compelling music thirty years later. In this hour of Jazz at 100, we will hear bebop from trumpeter Howard McGhee, […]
-
Jazz at 100 Hour 40: Sons of the Jazz Messengers (1956 – 1964)
Wayne Shorter – Art Blakey – Lee Morgan In 1956, with Horace Silver’s departure, Art Blakey inherited the Jazz Messengers. Over the next five years, the Jazz Messengers took part in recording sessions that have resulted in almost 40 live and studio recordings. Also in this period, Blakey collaborated with players who became the stars […]