As I continue to explore the highways and the byways of the classical repertoire, I find that every country has its national treasure. Sometimes, as with Antonin Dvorak, that treasure is shared with the world. Norway’s treasure, David Monrad Johanson hasn’t been — so far. Johansen is Norwegian, but his taste is cosmopolitan. Mixed in […]
Oliver Triendl
-
-
Josef Labor Piano Quintets late-Romantic gems
Josef Labor wasn’t one to be hampered by disability — although it could inspire him. Labor lost his sight in childhood but went on to become a respected organist, pianist, teacher, and composer. He was also the first composer-pianist Paul Wittgenstein commissioned to write a left-hand concerto. (Wittgenstein lost his right arm in WWI.) Labor […]
-
Oliver Triendl connects with Reizenstein Concerto
When it comes to piano concertos, Franz Reizenstein is best remembered for his “Concerto Populaire,” his contribution to the Hoffnung Festivals. The 1961 Piano Concerto No. 2 is more serious, but in both, I hear a desire to connect with the audience. Reizenstein premiered the work at the keyboard. There’s plenty for the pianist to […]
-
Gernsheim Complete Cello Sonatas – Three Views of a Life
Friedrich Gernsheim was an important composer, conductor, and concert pianist at the end of the 19th Century. He was a close friend of Brahms, and his style somewhat similar. Like Brahms, Gernsheim wrote in “pure” music that eschewed extramusical inspiration. This release features Gernshiem’s three cello sonatas, as well as two other works for cello […]
-
Harald Genzmer Concertos – Zestful, Artful, and Comprehensible
German composer Harald Genzmer had a philosophy. “Music should be zestful, artful and comprehensible. As practicable, it may win over the interpreter, and then the listener as graspable.” The three concertos in this release, spanning 60 years, show Grenzmer remained true to his ideal. In 1938 Genzmer had just completed his studies with Paul Hindemith. […]
-
CPO Revives Brahms Contemporary, Anton Urspruch
Anton Urspruch (1850-1907) is hardly a household name — even among classical music aficionados. In the 1880s, though, he was a rising star. Urspruch studied composition with Joachim Raff and Ignaz Lachner. He was a star piano pupil of Franz Liszt. As a scholar, he’s credited with the revival of Gregorian Chant. Urspruch enjoyed an […]
-
Robert Fuchs Works for Cello – Ready for Revival
Talent will out. But a little hustle helps. Gustav Mahler, Erich Wolfgang Korngold, and Alexander Zemlinsky all worked to get their music before the public. Their teacher, Robert Fuchs did not. Fuchs preferred the life of quiet academia. Although he wrote music of exceptional quality, he was indifferent to its fate. The collected cello works […]
-
Boris Papandopulo Concertos Reintroduced to the World
Boris Papandopulo’s Piano Concerto No. 3 is one of the best-known works by this relatively unknown composer. Croatian composer Papandopulo was a powerhouse of creativity, producing over 460 works, plus writing volumes as a music writer, journalist, and reviewer. And he also regularly performed as a concert pianist and accompanist. The Piano Concerto No. 3 […]
-
Dora Pejačević – Works for Violin and Piano
Croatian composer Dora Pejačević was a fascinating figure. A member of the nobility, she started composing in 1897 when she was 12 years old. Although she was only 38 when she died in 1923, she left behind a body of work that’s impressive for its quantity and quality. This release focuses on a minor portion […]