Leif Segerstam’s cycle of Beethoven choral works continues with some of his earliest compositions. In 1790, the nineteen-year-old Beethoven was a court musician in Bonn. He was commissioned to write two cantatas. Basically, it was “the king is dead, long live the king.” The first cantata was to mourn the death of the recently deceased […]
Ludwig van Beethoven
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Beethoven remasters reveals the genius of Wilhelm Kempff
Had Beethoven composed nothing other than the 32 piano sonatas, his genius would have been acknowledged. These works are at the summit of the piano repertoire, and many of them are still represented in the core repertoire on the concert stage today. Beethoven intended them as studies, and there is a reference to a concert […]
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Leif Segerstam begins Beethoven choral series
Ludwig van Beethoven’s oratorio was premiered at a marathon concert in 1803. And I mean marathon. The all-Beethoven program (conducted by the composer) included his first and second symphonies, plus his third piano concerto. Some of the shorter pieces scheduled were dropped due to time constraints (!). “Christ on the Mount of Olives” originally received […]
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#ClassicsaDay #ClassicalDistancing Week 4
Normally the Classics a Day theme for May involved May Day (#SovietaDay). Having a theme centered around social distancing/self-quarantine seemed more appropriate. The challenge for May is post works for unusual solo instruments or works about solitude. Here are my selections for the final week of #ClassicalDistancing 05/25/20 Krzysztof Penderecki (1933-2020) – Cadenza for solo […]
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Early Beethoven cantatas hint at greatness
The Emporer is dead, long live the Emporer. In 1790 a nineteen-year-old Ludwig van Beethoven was commissioned to write two cantatas. The first was an elegy for Emperor Joseph II. The second for Leopold II, who inherited the throne. Maestro Leif Segerstam presents both works. It continues Naxos’s series of Beethoven choral works. Apparently, the […]
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#ClassicsaDay #ClassicalEleven Week 1
Numbers have meaning. But meaning can depend on context. The Classics a Day team made “eleven” the theme for November, the eleventh month. The challenge is to post performances of classical music that involve the number. I chose a mix. Some pieces involve eleven players. Some are the eleventh type of piece by a composer. […]
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Victor Rosenbaum gives mature insights into Beethoven
Victor Rosenbaum performs an engaging program of Beethoven piano music for Bridge Records. This is his third release with the label, and it’s a great partnership. Bridge knows how to record the piano to capture its natural warmth. The recordings are clean, with just enough room ambiance to make the recording sound natural, as if […]
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Beethoven: The Relentless Revolutionary
Ludwig van Beethoven, for some listeners perhaps the greatest of all composers, is an enduringly fascinating subject for biographers. A new biography of the composer, Beethoven: The Relentless Revolutionary by 19th Century cultural historian John Clubbe adds to the pile. His study departs from the musicological approach of Maynard Solomon, whose Beethoven (Schirmer 1977) remains a […]
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#ClassicsaDay #ClassicalSummer Week 5
It was a busy summer for the Classics a Day team. In June, we marked African-American Music Appreciation Month. In July we celebrated national holidays in the U.S. and Canada. So that just left August to have a summer theme. For my part, I chose to choose anything except Vivaldi’s “Four Seasons.” In the process, […]