Joe Henderson Archives

47 Remembering Joe Henderson

Jul 6th, 2021 | By Russell Perry

Tags: Alex Sipiagin, Art Hirahara, Avishai Cohen, Bill Charlap, Bill O’Connell, Conrad Herwig, David Sanchez, Edward Simon, Jeremy Pelt, Joe Henderson, Joe Lovano, Joe Magnarelli, Jon Iragagon, Lewis Nash, Luther Allison, Markus Howell, Matt Penman, Michael Dease, Miguel Zenon, Nicholas Payton, Noah Haidu, Obed Calvaire, Peter Bernstein, Peter Washington, Ravi Coltrane, Richie Flores, Robbie Cuber, Robby Ameen, Robin Eubanks, Rodney Whitaker, Ruben Rodriguez, Steve Wilson, Warren Wolf

Conrad Herwig Joe Henderson was likely the most important tenor saxophonist to come out of the 60s. Possessing a big distinctive tone, he brought gravitas to every setting in which he played. He also left a catalog of compelling compositions including several that have become standards, such as Inner Urge or Recorda-Me whose mastery is […]
Jazz at 100 Hour 76: The Arrival of Joe Henderson (1963 – 1967)

Aug 31st, 2018 | By Russell Perry

Tags: Bobby Hutcherson, Elvin Jones, Joe Henderson, Kenny Dorham, Larry Young, McCoy Tyner

Joe Henderson Joe Henderson may have been the most significant tenor saxophonist to emerge in the 1960s. Gary Giddins wrote that he is “…an irresistibly lucid player, whose adroitness in conjuring stark and swirling riffs contributed immeasurably to two of the most durable jazz hits of the ’60s, Horace Silver’s ‘Song for My Father’ and […]
Jazz at 100 Hour 75: The Hard Bop / Avant-Garde Synergy of Andrew Hill (1963 – 1965)

Aug 24th, 2018 | By Russell Perry

Tags: Andrew Hill, Bobby Hutcherson, Eric Dolphy, Jimmy Woods, Joe Henderson, Kenny Dorham, Richard Davis, Tony Williams

Andrew Hill Blue Note Records in the 1960s released such iconoclastic projects as Cecil Taylor’s Unit Structures and Eric Dolphy’s Out To Lunch, but the label was best known for music on the Art Blakey – Horace Silver axis. As Ted Gioia has noted “…other, less radical Blue Note releases showed that there could be […]
Jazz at 100 Hour 64: Hard Bop Trumpet, Part 1 (1960 – 1967)

Jun 8th, 2018 | By Russell Perry

Tags: Donald Byrd, Freddie Hubbard, Joe Henderson, Lee Morgan, Pepper Adams, Tina Brooks

Donald Byrd -Herbie Hancock In this portion of Jazz at 100, we are featuring tenor players and trumpeters who propelled hard bop into the 1960s. In this hour, we will continue with the Trumpet Players, Part 1, featuring three players who apprenticed in the Jazz Messengers: Lee Morgan – a Blue Note leader since 1956, Freddie […]
Jazz at 100 Hour 61: Horace Silver Continued (1959 – 1965)

May 18th, 2018 | By Russell Perry

Tags: Blue Mitchell, Carmel Jones, Horace Silver, JJ Johnson, Joe Henderson, Junior Cook, Woody Shaw

Horace Silver – Blue Mitchell – Junior Cook Despite revisionist history that suggests that the energy of hard bop was spent by the time the sixties came, in the last hour we heard from the great 1960s Freddie Hubbard – Wayne Shorter – Curtis Fuller – Cedar Walton edition of The Jazz Messengers. In this […]
Jazz at 100 Hour 59: Jazz and Bossa Nova (1958 – 1963)

May 4th, 2018 | By Russell Perry

Tags: Antonio Carlos Jobim, Astrud Gilberto, Charlie Byrd, Coleman Hawkins, Dizzy Gillespie, Gil Evans, João Gilberto, Joe Henderson, Kenny Dorham, Luiz Bonfá, Miles Davis, Stan Getz, Wayne Shorter

João Gilberto – Antônio Carlos Jobim – Stan Getz Fueled by the 1959 international release of the movie Black Orpheus and through reports from US jazz players returning from South American tours, the Brazilian music Bossa Nova (Portugese for “new trend” or “new wave”) found its way into American jazz in the early 1960s, becoming […]
Jazz at 100 / The Jazz Messenger – The Porgy and Bess Show

Dec 11th, 2017 | By Russell Perry

Tags: Archie Shepp, Arkestra, Ben Webster, Bill Evans, Bill Frisell, Billie Holiday, Branford Marsalis, Cab Calloway, Coleman Hawkins, DuBose Heyward, Duke Ellington, Ella Fitzgerald, Frank Sinatra, Free Bridge Quintet, George Gershwin, Gerald Wilson, Gil Evans, Herbie Hancock, Ira Gershwin, Jimmy Smith, Joe Henderson, John Coltrane, Johnny Hartman, Joni Mitchell, Kurt Elling, Louis Armstrong, Mal Waldron, Mel Torme, Miles Davis, New Vision Sax Ensemble, Nina Simone, Patricia Barber, Porgy & Bess, Sammy Davis Jr., Sonny Rollins, Sun Ra

Cab Calloway as Sportin’ Life In the mid-1930’s, George Gershwin acquired the rights to the play Porgy by DuBose Heyward, based on his own novel of 1925. Gershwin’s great American opera, Porgy and Bess debuted in 1935 with lyrics by Ira Gershwin and DuBose Heyward. For some period of time, the themes of domestic violence, […]
Jazz at 100 Hour 40: Sons of the Jazz Messengers (1956 – 1964)

Dec 1st, 2017 | By Russell Perry

Tags: Albert "Tootie" Heath, Art Blakey, Barry Harris, Billy Higgins, Bobby Timmons, Grant Green, Hank Mobley, Joe Henderson, Jymie Merrit, Kenny Dorham, Lee Morgan, Paul Chambers, Ron Carter, The Jazz Messengers, Wayne Shorter, Wynton Kelly

Wayne Shorter – Art Blakey – Lee Morgan In 1956, with Horace Silver’s departure, Art Blakey inherited the Jazz Messengers. Over the next five years, the Jazz Messengers took part in recording sessions that have resulted in almost 40 live and studio recordings. Also in this period, Blakey collaborated with players who became the stars […]

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Joe Henderson

47 Remembering Joe Henderson

Jazz at 100 Hour 76: The Arrival of Joe Henderson (1963 – 1967)

Jazz at 100 Hour 75: The Hard Bop / Avant-Garde Synergy of Andrew Hill (1963 – 1965)

Jazz at 100 Hour 64: Hard Bop Trumpet, Part 1 (1960 – 1967)

Jazz at 100 Hour 61: Horace Silver Continued (1959 – 1965)

Jazz at 100 Hour 59: Jazz and Bossa Nova (1958 – 1963)

Jazz at 100 / The Jazz Messenger – The Porgy and Bess Show

Jazz at 100 Hour 40: Sons of the Jazz Messengers (1956 – 1964)