When a composer is as prolific as Christoph Graupner, there are many ways to create a musical program. An album of bassoon cantatas may seem obscure. But with over 1,400 Graupner cantatas to choose from, there were plenty of choices. A virtuoso bassoonist, Johann Christian Klotsch.. was hired for the Darmstadt court in 1736. Graupner […]
Florian Heyerick
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Christoph Graupner Passion cantata series comes to a glorious close
This release completes CPO’s traversal of Christoph Graupner 1741 Passion cantatas. For the 18th Century Lutheran church, Passion cantatas were performed throughout the Sundays in Lent, not just during Holy Week. The concluding installment is the Cantata for Laetare Sunday (the fourth Sunday in Lent). The libretti focus on the wickedness of those who judged […]
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Christoph Graupner: Passion Cantatas III maintain series quality
CPO’s ambitious cycle of Christoph Graupner cantatas continues. Graupner wrote over 1,200 cantatas. This series is limited to the ten he wrote for Lent in 1741. The first of the three cantatas included in this release is the first of the Lenten cycle. Kommt, Seelen, sied in Andacht stille (Come, ye souls, be silent in worship) sets […]
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Graupner Passion Cantatas II Maintain High Standard
In 1741 Christoph Graupner produced ten Passion Cantatas — one for each Sunday of Lent. Volume 1 featured three of those cantatas; Volume 2 has three more, each uniquely shaped by the text Graupner sets. Das Leiden Jesu von seinen Freunden, GWV 1122/41 (Friend, why are you here) was for the Third Sunday of Lent. […]
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Graupner Cantatas – Pure Baroque Goodness
This release launches a cycle of Passion Cantatas by Christoph Graupner. And it’s pure German Baroque goodness. Christoph Graupner (1683-1760) was a contemporary of Bach, Telemann, and Handel. And he was as highly regarded as his contemporaries. When Telemann turned down the Leipzig Cantorate position in 1723, Graupner was offered the job. When he was […]