This release features a thoughtful program of music by Johann Friedrich Fasch. Two major choral works are separated by an instrumental suite. The Mass in G major is fascinating. Fasch breaks the text down almost to its component phrases. He then seems to treat each phrase differently, moving seamlessly from choral contrapuntal passages to vocal […]
CPO
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Linos Ensemble gives winning performance of Krug Prize Sextet
What becomes of a one-hit wonder when their hit drops off the charts? Oblivion. That’s sort of what happened to Arnold Krug. A contemporary of Brahms, Krug won the Stelzner Competition for chamber music in 1896. Instrument builder Alfred Stelzner had created two new stringed instruments, a violetta (midway between a viola and cello), and cellone (between […]
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Reinecke String Quartets – authentically Romantic
The five surviving string quartets of Carl Reinecke describe an arc. His two earliest quartets were discarded and lost, but his first published quartet appears in 1845 at the start of his career. The last was completed in 1909, a year before his death. Reinecke studied with both Felix Mendelssohn and Robert Schumann. The influence […]
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Woldemar Bargiel – String Quartets Fall Between Mendelssohn and Brahms
Even in his lifetime, Woldemar Bargiel never quite escaped the shadow of his half-sister and his brother-in-law — Clara and Robert Schumann. At an early point in his career, Schumann rated Bargeil’s chamber music higher than that of newcomer Johannes Brahms. The rankings soon changed. Nevertheless, Bargiel was a talented composer, carefully crafting and refining […]
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Telemann Wind Quintets, Vol. 1 – Pleasantly tuneful
Let’s be clear: the wind ensemble of Telemann’s time was vastly different than the ones we have today. Clarinets, metal flutes, valved brass instruments, and percussion were later additions to the ensemble. The lineup of L’Orfeo Bläserensemble is one Telemann was familiar with: two oboe d’amore, two F horns, and bassoon. Lute and cembalo provide […]
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Karl Goldmark Symphonic Poems, Vol. 1 – Off to a good start
Before I received this release, I really only knew two works by Karl Goldmark – his Rustic Wedding Symphony, and his First Violin Concerto. CPO’s new series of Goldmark Symphonic Poems is a welcome addition. Goldmark was a friend of Brahms and an admirer of Wagner. Both those influences can be heard in this collection […]
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Tatjana Ruhland performs Müller Flute Concertos beautifully
Today, August Eberhard Müller is mostly forgotten. Yet at the turn of the 19th Century, he was one of the most important musical figures in Germany. As cantor of Thomaskirche, Leipzig, he performed cantatas by its most famous cantor, J. S. Bach. He was first chair flute of the Gewandhaus Orchestra, as well as a […]
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Friedrich Benda Viola Concertos Delightful Discoveries
Friedrich Benda came from a distinguished musical family and was a noted violinist and violist. So it’s not surprising that his viola concertos are well-crafted examples of Classical Period form. In general form, these works reminded me of Haydn’s string concertos. They have a similar air of elegance about them. Bernard Labadie is renowned for […]
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Christoph Graupner Solo and Dialogue Cantatas Surprisingly Light and Airy
CPO continues their exploration of Christoph Graupner’s catalog with a selection of his solo and dialogue cantatas. There’s a lot to choose from. This set includes five of his 177 surviving sacred cantatas. They span a decade, from 1709 to 1719. Yet all five cantatas are surprisingly consistent in style. In these works, the music […]