This release had me scratching my head. Why was an album of Advent and Christmas music released in February? Most folks (even me) have our Christmas decorations dismantled and packed away for another year. Of course, these cantatas by Gottfried August Homilius don’t really have a Christmassy sound. Homilius wrote in the empfindsamer style, which supplanted the […]
CPO
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Deutsche Radio Philharmonie and Hermann Baumer deliver with early Strauss
Both scores in this release were written in 1893. Richard Strauss was just nineteen, but already an experienced composer. Both also use Beethoven works as their models, and in some parts, their style. The concert piece uses the Coreolon overture. It’s considered the least successful of the two works. The structural flaws mentioned in the liner […]
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Reznicek Symphonic Suites Blend Old and New
Emil Nikolaus von Reznicek was primarily an opera composer. Two of the three suites in the release have their origins on the stage. Nevertheless, they show that Reznicek was quite comfortable writing for the concert hall. The Karneval Suite “in an older style” was extracted from Reznicek’s two-act opera Gondoliere des Dogen. The drama’s set in the […]
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Friedrich Gernsheim string quartet cycle off to a solid start
The musical influences of Friedrich Gernshiem are easy to hear; Robert Schumann, Camille Saint-Saëns, and Johannes Brahms. The latter is perhaps the strongest. Gernsheim was a friend and colleague of the famous composer. Like Brahms, Gernsheim only wrote a handful of string quartets. The Diogenes Quartett launches a traversal of those five works with this […]
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Raphael Wallfisch continues concerto cycle with Ben-Haim, Korngold, and Bloch
This installment of Raphael Wallfisch’s innovative series features three very different composers. “Cello Concertos by Jewish Composers in Exile” is in its fourth volume. All three composers were Jewish, and all were forced from their homes. But not every work on this album is a concerto (sort of). The outlier is Ernest Bloch, represented by […]
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Elisaveta Blumina perceptively performs Weinberg sonatas
This is the third Weinberg recording from pianist Elisaveta Blumina on CPO, and her first as a soloist. Blumina’s sympathetic (and informed) performances get to the heart of Weinberg’s music. Weinberg suffered great emotional trauma, and it’s released in his music. To me, Weinberg’s Piano Sonata No. 2, Op. 8 in A minor almost sounds […]
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Michel Yost Clarinet Concertos approach Mozart
Michèl Yost was not only one of the greatest clarinetists of the late 1700s. He was also one of the cofounders of the French school of clarinet playing. Like other virtuosos of his age, Yost wrote concertos to perform in concert. This release presents three of his fourteen concertos. Stylistically, the concertos resemble Mozart’s. They […]
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Telemann Inauguration Cantatas interesting sidelights
This release features three cantatas, Georg Philipp Telemann. All were written to mark special occasions. Two were in Hamburg, where Telemann served from 1721 to 1767. One was for the neighboring town of Altona, which didn’t have a resident composer. Altona’s 1744 cantata Geschlagene Pauken, auf was inauguration music for a new school. The music is somewhat […]
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Oliver Triendl connects with Reizenstein Concerto
When it comes to piano concertos, Franz Reizenstein is best remembered for his “Concerto Populaire,” his contribution to the Hoffnung Festivals. The 1961 Piano Concerto No. 2 is more serious, but in both, I hear a desire to connect with the audience. Reizenstein premiered the work at the keyboard. There’s plenty for the pianist to […]