Friedrich Gernsheim was an important composer, conductor, and concert pianist at the end of the 19th Century. He was a close friend of Brahms, and his style somewhat similar. Like Brahms, Gernsheim wrote in “pure” music that eschewed extramusical inspiration. This release features Gernshiem’s three cello sonatas, as well as two other works for cello […]
CPO
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Le Concert Brisé Offer Mellow Performances of Schmelzer Sonatas
There’s something about the sound of a cornett I find very soothing. It’s even mellower than the flugelhorn. And when played by William Dongois, it can sound as smooth as melted caramel. And, in this case, that’s all to the good. This release features a selection of works by Johann Heinrich Schmelzer. Schmelzer (c.1623-1680) was […]
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Telemann Christmas Oratorios – stellar performances from the Kölner Akademie
For Telemann, 1730-31 was the “year of oratorios.” Given the rich musical resources of Hamburg, he wrote a series of oratorios for the liturgical year. Michael Alexander Willens and the Kölner Akademie perform three of these recently rediscovered works, all centered around Christmas. The Baroque oratorio was closely related to opera, and Telemann wrote accordingly. The […]
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Larsson Symphony No. 3 – Music that should be heard more often
This release completes Andrew Manze’s traversal of Lars-Erik Larsson symphonies — although I hope he doesn’t stop there. Larsson was a talented composer who crafted his own language out of various 20th Century trends. It’s a voice that needs to be heard more often. The centerpiece of this release is Larsson’s 1944 Symphony No. 3 […]
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Wesser-Renaissance Bremen Ideally Suited to Johann Rosenmüller
In the 1650s “The Amphion of his Century” was an up-and-coming musician in Leipzig. He was poised to take over as the cantor of St. Thomas’ in 1653 (a position J.S. Bach would hold years later). Suddenly everything changed. A scandal forced Johann Rosenmüller to leave in haste. While it was a setback for his […]
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Louis Glass Complete Symphonies, Vol. 2 – Insightful Performances
Volume 2 of CPO’s series present two Louis Glass works with a common theme. Both the works have strong theosophist elements. Glass found inspiration in the movement’s mystical imagery. The 1912 Fantasia for Piano and Orchestra bears this motto: “From the spirit’s eternal canopy tones calling man sound down. And man turns away from the […]
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CPO Revives Brahms Contemporary, Anton Urspruch
Anton Urspruch (1850-1907) is hardly a household name — even among classical music aficionados. In the 1880s, though, he was a rising star. Urspruch studied composition with Joachim Raff and Ignaz Lachner. He was a star piano pupil of Franz Liszt. As a scholar, he’s credited with the revival of Gregorian Chant. Urspruch enjoyed an […]
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Anton Eberl Emerges from the Shadow of Mozart
Pianist/composer Anton Eberl was a contemporary of Beethoven and a student of Mozart. Some of Eberl’s works were misattributed to Mozart, and that’s not surprising. As this new release shows, Eberl’s style is quite similar to Mozart’s. But not quite identical (a lot of the misattribution was done by unscrupulous publishers). The two sonatas for […]
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Franz Krommer Symphonies Inspired by Beethoven
This is the second volume of Krommer symphonies from Griffiths and the Orchestra della Svizzera italiana. The first volume covered Krommer’s first three symphonies. This release features three symphonies; only two of which were published. Franz Krommer was based in Vienna, a younger contemporary of Ludwig van Beethoven. Krommer’s 1819 Symphony No. 4 in C […]