If you’re not familiar with Emilie Luise Friderica Mayer, this release provides an excellent introduction. Mayer studied composition with Carl Loewe in the 1840s. Mayer was prolific, and her works were often performed in her lifetime. After her death, Mayer’s music fell into obscurity. A renewed interest in women composers of the past has brought […]
Chamber music
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Wilhelm Kempff Chamber Music – Worth a Listen
Wilhelm Kempff is best remembered as a piano virtuoso. But he was also a composer. This release features two youthful chamber works. The Trio in G minor for violin, cello, and piano dates from 1911, when Kempff was studying composition with a former student of Brahms. The lineage is easy to hear. Kempff develops his […]
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Kelly Peral Recital Earns Ovation
Oboist Kelly Peral performed to a small but enthusiastic audience Sunday afternoon, November 10, 2018. The recital was part of the University of Virginia Chamber Music Series, and it was a good one. Peral’s program ranged from the Baroque to the present. A 1728 sonata by Giovanni Boni represented the Baroque. The Sonata in G […]
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Paul Lansky – Idle Fancies Keep Gwen Dease Busy
Paul Lansky has been creating an impressive catalog of percussion music since the 1990s. This release features three exceptional works for solo marimba, written for some exceptional performers. “Three Moves” (1998) is the earliest (and most difficult) of the three works. Written for Nancy Zeltsman, the music hops across the broad expanse of a five-octave […]
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Baroque Wind Quartets – Come for the Telemann, stay for the Molter
This release brings together music by two Kapellmeisters of Johann Wilhelm of Saxe-Eisenach. Georg Philip Telemann held the post first in 1709 and was succeeded by Johann Melchior Molter. The works presented on this release provide an interesting contrast in style between the two. The release features three of Telemann’s 1752 “Paris” quartets. These are […]
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F for Fake – Copyleft in 18th Century Music
I suspect the ubiquity of the term “fake news” inspired this compilation. But it does raise an interesting point. How much does authorship influence our assessment of a work? The Trio Glie Speziali present a variety of Baroque compositions that were attributed to others — some famous, and some not. Misattribution could be accidental. The […]
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Paul Chihara Takes the A Train and Mixes Genres
Paul Chihara composes for films. Film scores must support the narrative and communicate emotion. And it must do it in a way that instantly connects with the viewer. That skill set works well for Chihara in the classical world, too. His compositions have a transparency to them that draws the listener in. The surface may […]
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Clementi Piano Sonatas, Op. 25, 33 & 49 – more than mechanical
Mozart wrote, “Clementi is a good clavicembalist and with this, there is no more to say. He plays well with his right hand, his strong point is the passages in thirds. For the rest he has no sentiment or taste, – in a word he is simply a mechanicus.” I’m not sure I entirely agree […]
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More from the Stone Age of Early Music Performance
Back on June 26, 2017 I presented a Historic Radio Special on The Early Music Show, consisting of ‘early’ recordings of early music, beginning with the barely audible spectacle of a Handel oratorio captured on wax cylinders in 1888 to a formative solo disc of countertenor Alfred Deller singing a Thomas Morley tune, made around […]