CPO’s ambitious cycle of Christoph Graupner cantatas continues. Graupner wrote over 1,200 cantatas. This series is limited to the ten he wrote for Lent in 1741. The first of the three cantatas included in this release is the first of the Lenten cycle. Kommt, Seelen, sied in Andacht stille (Come, ye souls, be silent in worship) sets […]
Baroque music
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Unico Wilhelm van Wassenaer and the Recorder in the Low Countries
Baroque recorder albums are something of a crapshoot for me. Sometimes they sound harshly shrill. And sometimes they sound like this release. Erik Bosgraaf uses a variety of recorders, all of which have a warm, woody sound — even the soprano recorder. Equally exceptional is the recorded sound of the keyboard. on some tracks, Francesco […]
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Telemann Inauguration Cantatas interesting sidelights
This release features three cantatas, Georg Philipp Telemann. All were written to mark special occasions. Two were in Hamburg, where Telemann served from 1721 to 1767. One was for the neighboring town of Altona, which didn’t have a resident composer. Altona’s 1744 cantata Geschlagene Pauken, auf was inauguration music for a new school. The music is somewhat […]
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Telemann Moral Cantatas uplift — at least musically
This release combines selections from two self-published works by Georg Philipp Telemann. VI moralische Cantaten and 12 Fantaisies pour la basse de violle sold by subscription in 1735. Alternating between the two collections makes an appealing program. The Six Moral Cantatas are just that — music with a message. And whether the subject is luck, parsimony, time, or hope, the message […]
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“A Bohemian in London” Showcases Baroque Rarities
The album title, “A Bohemian in London” refers to Moravian composer Gottfried Finger. Finger was a virtuoso viol player and played in James II’s court orchestra. Later he attempted a career as a freelance composer, eventually giving up and leaving for Germany in 1701. This collection of violin sonatas is a sampling of the over […]
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Fred Jacobs bring Kapsperger theorbo music to light
To some, this might seem like a hyper-specialized release. It’s a collection of early 17th Century music by Giovanni Kasprerger (who?) virtuoso of the theorbo (what?). And it’s not just theorbo music, but music specifically written for the Papal Court. But the end result — the music and the performance — should appeal to all. […]
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Leila Schayegh delivers with LeClair Violin Concertos
This first volume of Jean-Marie LeClair violin concertos features four selections: two each from his Opus 7 (1739) and Opus 10 (1743). LeClair was one of the greatest violinists of his age. He regularly used extended techniques, such as double stops, bariolages, and harmonics. And yet in his concertos, these techniques were always used in […]
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Michel-Richard de Lalande Grands Motets Evoke Grandeur
Michel-Richard de Lalande was a contemporary of Jean-Baptiste Lully and François Couperin. Like them, he served at the court of Louis XIV. Lalande’s strength was composing grand motets; elegant, extravagant, grand music suited for the Royal Chapel at Versailles. This release presents three examples. All three require a large orchestra (for the Baroque period, that […]
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Graupner Passion Cantatas II Maintain High Standard
In 1741 Christoph Graupner produced ten Passion Cantatas — one for each Sunday of Lent. Volume 1 featured three of those cantatas; Volume 2 has three more, each uniquely shaped by the text Graupner sets. Das Leiden Jesu von seinen Freunden, GWV 1122/41 (Friend, why are you here) was for the Third Sunday of Lent. […]