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Barbara Harbach

  • Barbara Harbach – Portraits in Sound

    Feb 22nd, 2017 | By Ralph Graves
    Tags: Barbara Harbach, CD Review, contemporary classical music, David Angus, London Philharmonic Orchestra, MSR Classics, Orchestral music

    This volume brings listeners up to date with Barbara Harbach’s symphonic output. It features symphonies No. 7-10, composed between 2014 and 2015. Harbach is an economical symphonist — the works are uniformly short, focused, and efficiently orchestrated. All four symphonies follow a straight-forward 3-movement fast-slow-fast structure. Yet with all these constraints, Harbach shows a great deal […]

  • Barbara Harbach: Chamber Music V continues fine series

    Dec 28th, 2016 | By Ralph Graves
    Tags: Alla Voskoboynikova, Barbara Harbach, CD Review, Chamber music, contemporary classical music, James Richards, John McGrosso, Julia Sakharova, Marlissa Hudson, MSR Classics, St. Louis Chamber Orchestra, Stella Markou

    For me, the two works on this collection of Barbara Harbach’s chamber music I most enjoyed were the longest and the shortest. The longest was “The Birth, Life, and Death of Christ” for chamber orchestra. It was written as a musical accompaniment to Alice Guy’s 1906 silent film of the same name. The movie is a […]

  • Harbach

    Harbach Orchestral Music — An Appealing Collection

    Apr 14th, 2014 | By Ralph Graves
    Tags: Barbara Harbach, CD Review, Contemporary classical, Kirk Trevor, MSR Classical, Slovak Radio Symphony

    Barabara Harbach is perhaps better known as a pianist and harpsichordist (and a champion of women composers), but this new release shows she’s equally accomplished as a composer — and not just as a composer for the keyboard. Venerations for Orchestra, is, according to Harbach, is a three-movement symphony celebrating “love, beauty, attractiveness and desire” — […]

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