For volume four, Anne-Marie McDermott presents two contrasting Mozart piano concertos. And the contrast goes beyond just the concertos. The supplied cadenzas also represent two very different interpretations of Mozart’s music. The Piano Concerto No. 25 in C major, K. 503 is one of Mozart’s longest concertos. And many consider it one of his greatest. […]
Anne-Marie McDermott
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Anne-Marie McDermott continues superb Mozart series
Anne-Marie McDermott has a very distinctive playing style, especially with Mozart. It’s delicate without being dainty. It’s expressive while neither being too emotive nor overly reserved. McDermott’s playing embodies what I like to think Mozart’s intentions were. But it’s playing that goes deeper than the notes. McDermott’s own personality makes these oh-so-familiar works sound fresh […]
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Poul Ruders avoids categorizations in Volume 15
What I like best about Poul Ruders is that he’s his own man. Ruders picks and chooses from all the various contemporary compositional trends. He mixes and matches them, all in service of the idea he wants to express. And Ruders makes it all sound not only cohesive but logical — as if it simply […]
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Anne-Marie McDermott performs Mozart with exuberance and precision
Volume two of Anne-Marie McDermott’s Mozart series builds on the success of volume one. McDermott’s playing is as beautiful as ever. There’s apparent chemistry between her and the Odense Symphony Orchestra. Though each of the three concertos on this release has a different conductor, there’s a remarkable consistency in the interpretations. Piano Concerto No. 15 […]
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Anne-Marie McDermott launches Mozart series
Anne-Marie McDermott’s new Mozart series starts off with two showcase concertos. The Piano Concerto in C major, K. 415 was one of three Mozart wrote in 1783 to spotlight his talent as a composer and performer. The Piano Concerto in B-flat major, K. 238 was featured in Mozart’s 1777 European tour with his sister Nannerl. […]
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McDermott Delivers Intimate Performances of Haydn Sonatas
This release is a follow-up to McDermott’s 2014 release of Haydn Piano Concertos and Sonatas. This time, Anne-Marie McDermott presents an entire program of solo sonatas. Haydn’s sonatas have a deceptive simplicity to them. The technical demands are modest (compared to sonatas by Beethoven and later composers). But that doesn’t mean they’re insubstantial. McDermott performs […]