Every composer should have a champion. For George Perle, that champion is pianist Michael Brown. As a teenaged virtuoso, Brown fell in love with Perle’s music and had an opportunity to meet the composer. That developed into a close personal and professional relationship over the years, culminating in this release.
Brown collects not only Perle’s published works for solo piano, but some earlier works still unperformed at the time of Perle’s death. Brown has a deep understanding of Perle’s music, and that makes this collection so exciting to listen to. The eight works span Perle’s creative output. The earliest work, the 1938 “Classical Suite” receives it’s world premier recording here. In many ways, it’s similar to Prokofiev’s “Classical Symphony.” While using traditional forms and mostly tonal harmonies, Perle continually plays against expectations as his melodies veer off into unexpected directions.
The “Six Celebratory Inventions” (1989-1997) is the collection that Brown played for Perle as a teenager. Each invention honors a different composer by imitating his style. And while one can hear the dedicatee in each movement — Leonard Bernstein, Gunther Schuller, Ernst Krenek, et al — it’s all filtered through Perle’s inventive imagination, giving this set an overarching sense of cohesion.
Michael Brown has lived with some of these works for a while, and he plays with authority and sensitivity. Perle isn’t primarily known for his keyboard compositions. Brown’s performances suggest they should be reassessed.
Georgle Perle: Eight Pieces 1938-1997
Michael Brown, piano