Keith Morris will stop by WTJU this Tuesday evening, April 5, around 6 (edt) to share a few tracks off his band’s brand new release, The Dirty Gospel. He and his band, The Crooked Numbers, will celebrate the CD’s release on Friday, April 8, over at The Ante Room in downtown Charlottesville (details). Kicking off that night’s festivities will be Sarah White & The Pearls, and Mister Baby.
Funk n’ Roll act Driving Sideways will pull into Offbeat Roadhouse on Friday night, October 25, from 8-9 for a concert which will also be broadcast on WTJU.Sure you could listen to Offbeat Roadhouse on the radio (91.1 FM) or on-line, and even video stream it, but concerts always sound better with you as part of the studio audience. Offbeat […]
In 2019 the Classics a Day team has been making its way through the seasons. We’ve had Classical Winter (January), Classical Spring (April), and Classical Summer (August). For October, we complete the cycle with Classical Autumn. I tried to steer clear of the really obvious choices (like Vivaldi’s “Four Seasons”). In the process, I managed […]
Quebecois group Rosier (formerly Les Poules a Colin) will stop by WTJU Friday afternoon, October 25, around 1:30 for a live session ahead of their concert that evening at The Front Porch.
This release features three cantatas, Georg Philipp Telemann. All were written to mark special occasions. Two were in Hamburg, where Telemann served from 1721 to 1767. One was for the neighboring town of Altona, which didn’t have a resident composer. Altona’s 1744 cantata Geschlagene Pauken, auf was inauguration music for a new school. The music is somewhat […]
Havergal Brian’s reputation these days rests on his first symphony — a record-breaker in size and scope. Thanks to recordings like this one, a more balanced picture of this British composer emerges. The New Russia State Symphony Orchestra directed by Alexander Walker may be far from London, but they manage to capture the inherent Englishness […]
As I listened to Symphony No. 1 by Karl Weigl, two descriptions came to mind — post-romantic, pre-Mahler. That last impression isn’t historically accurate. Weigl’s symphony premiered in 1908; Mahler’s Eighth Symphony was completed the year before. And yet stylistically, that was my impression. Karl Weigl, like Gustav Mahler, was a pupil of Robert Fuchs. […]
