Interview on the Rise and Fall of Bohemian Subcultures

By WTJU Rock

Date: 09/16/2025

Time: 3:00 pm - 4:00 pm

Tune into “Ye Olde Tuesday Afternoon Rocke Show,” September 16, 3 – 4 p.m. when WTJU Rock DJ and UVA professor of History and African American Studies, Andrew Kahrl, interviews libarary worker, writer, and researcher, Jacqui Sahagian, about her dissertation on Detroit’s Cass Corridor and the rise and fall of bohemian subcultures in post-industrial cities.

Jacqui Sahagian splits her time between Charlottesville, VA and metro-Detroit. Her dissertation “Building Bohemia in Detroit’s Cass Corridor, 1964-2017” explores the history of the neighborhood that produced Detroit’s most influential rock and roll. 

Telling the story of artists and activists, anarchists and poets, hippies and punks in relationship with their community, Sahagian argues that a focus on grassroots actors allows us to see beyond the narratives of decline that frequently color accounts of late twentieth century urban and political history. In newspapers, zines, music, and community spaces, bohemians romanticized Detroit as a place they could be their authentic selves, created sites to explore radical possibilities for different ways of living, and shaped the social movements of today.

By the early twenty-first century, capitalists took advantage of Detroit’s bankruptcy to gain swaths of land in the Corridor, which they razed to build a publicly funded sports arena. Local artists and activists continued their resistance, fighting the decisions that destroyed their neighborhood, as business, municipal, and state leaders remade Detroit into a postindustrial city.

Five bohemians hang out in front of the Red Door Gallery in Detroit. Three sit on chairs and two stand. One person s holding a painting.
Leni Sinclair’s photograph of Detroit bohemians hanging out in front of the Red Door Gallery.
From left to right, Robert Winter, George Tysh, Robin Eichele, Alan Stone and Martine Algire. Source: 
Box 37, JLSP. Also see Motor City Underground: Leni Sinclair Photographs, 1963-1978, 22.
Seven young people lean and look out of three windows placed next to eachother in a brick building.
Hardcore kids at the Women’s City Club, summer 1982. Brannon is on the far right and 
Stolarchuk is third from right. Todd Swalla and Barry Henssler of the Necros are on the far left and second from left. Photograph by Greg Lewis. Source: Otto Buj on Instagram @detroithardcoremovie.

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