#ClassicsaDay #Bernsteinat100 Week 1

August 2018 is the centennial of Leonard Bernstein’s birth. Many classical radio stations, performance groups, and writers marked the occasion. And so did #ClassicsaDay.

Bernstein was known as a composer, conductor, performer and an educator. Since #ClassicsaDay is primarily a music feed, I concentrated on the first two of those roles (and occasionally the third).

My contributions alternated between Bernstein the composer and Bernstein the conductor. And I tried to steer away from the more obvious choices for Bernstein compositions. His catalog is quite extensive, and I found it interesting to explore some of the lesser-known (and in some cases, less-successful) works.

Here are my posts for the first week:

Leonard Berstein – Facsimile – Choreographic Essay for Orchestra

Berstein finished Facsimile in 1944 and recorded it for RCA three years later. He would reuse some of its material in “On the Town” and “West Side Story”

 

Gustav Mahler – Symphony No. 5

Leonard Bernstein did two complete recording cycles of Mahler symphonies. They brought Mahler’s symphonies from the fringe into the core repertoire. Bernstein felt the strongest connection with the 5th symphony. He was buried with a copy of the score.

 

Leonard Bernstein – Psalm 148, for Voice and Piano (1935)

Berstein completed this work the same year he entered Harvard. He studied composition there with Walter Piston and Edward Burlingame Hill, two composers with distinctly American styles.

More Recent Posts

  • #ClassicsaDay #FamousLastWorks Week 3

    Tags: , , , , , ,

    For the month of October, the #ClassicsaDay team (of which I’m a part), decided to go with a Halloween theme. The idea is to share works marked in some way with the composer’s demise. It can be the last piece a composer completed before death, or one left incomplete at death. For my part, I […]

  • Jazz at 100 Hour 83: Road to Fusion

    Tags: , , , , , ,

    Miles Davis Jazz-rock fusion or, often, simply “fusion” emerged in the late 60s as the child of many mothers. Characterized by electric instruments and rock rhythms, it could be loud and fast, but just as likely, could be melodic or lyrical or funky. The Charles Lloyd Quartet, the Gary Burton Quartet, Tony Williams Lifetime and […]

  • Czech Choral Masterworks: Martinu, Reznicek, Fiala

    Tags: , , , , , , , ,

    This has to be one of the most unusual albums of choral music I’ve listened to. The concept is solid — sacred music by 20th Century Czech composers. What’s unusual is the relationship between the composers. The Czech Philharmonic Choir of Brno performs two works by Bohuslav Martinu. Rounding out the album are works by […]

  • New Blues News – 10/17/2018

    New Blues News – 10/17/2018 Doyle Bramhall II – Shades (Provogue): Doyle Bramhall II certainly has one of the most unusual music sensitivities around. He blends blues, rock and a variety of sensitivities, whether by feeling or musicality. The song order here is unusual, starting with two strong rockers beyond which the songs are mostly […]

  • John D’earth stops by Jazz Messenger, Oct 19

    John D’earth will be stopping by the studio this Friday, October 19, around 11am, to talk about the Free Bridge Quintet’s concert this Saturday, October 20, at 8pm at UVA’s Old Cabell Hall. Entitled “Living Legend”, the concert will showcase the music of legendary tenor saxophonist Sonny Rollins. More info here: http://music.virginia.edu/free-bridge-quintet-living-legend

  • New Jazz Adds – 10/16/2018

    New Jazz Adds – 10/16/2018 Ben Allison – Quiet Revolution (Self-produced): Ben Allison (bass), Steve Cardenas (acoustic guitar) and Ted Nash (tenor sax, clarinet) have decided to stage their own quiet revolution and they certainly have the subtle cool to pull it off. They selected a half dozen Jim Hall compositions, sprinkled in two Jimmy […]