Brilliant’s traversal of Dussek piano sonatas continues with two major compositions. The Op. 44 Sonata “Farewell” was completed in 1799 and marks the end of an era. The 1812 Op. 77 sonata “L’Invocation” looks forward to the next era. The Sonata in E-flat major, Op. 44 is large, four-movement work. It runs about 30 minutes. […]
Classical
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#ClassicsaDay #ClassicalNine Week 3
September is the ninth month of the year. And so the #ClassicsaDay team decided to make the number the theme. For September 2018, the challenge is to post classical works that have to do with the number nine. I chose to alternate between nonets, opus nine compositions and works with a catalog number of nine. […]
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Paul Chihara Takes the A Train and Mixes Genres
Paul Chihara composes for films. Film scores must support the narrative and communicate emotion. And it must do it in a way that instantly connects with the viewer. That skill set works well for Chihara in the classical world, too. His compositions have a transparency to them that draws the listener in. The surface may […]
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Clementi Piano Sonatas, Op. 25, 33 & 49 – more than mechanical
Mozart wrote, “Clementi is a good clavicembalist and with this, there is no more to say. He plays well with his right hand, his strong point is the passages in thirds. For the rest he has no sentiment or taste, – in a word he is simply a mechanicus.” I’m not sure I entirely agree […]
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More from the Stone Age of Early Music Performance
Back on June 26, 2017 I presented a Historic Radio Special on The Early Music Show, consisting of ‘early’ recordings of early music, beginning with the barely audible spectacle of a Handel oratorio captured on wax cylinders in 1888 to a formative solo disc of countertenor Alfred Deller singing a Thomas Morley tune, made around […]
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#ClassicsaDay #ClassicalNine Week 2
September is the ninth month of the year. And so the #ClassicsaDay team decided to make the number the theme. For September 2018, the challenge is to post classical works that have to do with the number nine. I chose to alternate between nonets, opus nine compositions, and works with a catalog number of nine. […]
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Ignaz Brüll – Orchestral Works; Brahms’ Friend in the Spotlight
Moravian composer Ignaz Brüll (1846-1907) moved to Vienna in 1856. He was an accomplished composer and pianist and was well-known for both talents. Brüll was a close friend of Brahms. Brahms’ symphonies were often first heard in two-piano arrangements — with Brahms and Brüll at the keyboards. Although quite successful during his lifetime, his music […]
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Intimate Chamber Music by Johann Molter and Colleagues
The liner notes for this release note that the Karlsruhe court “for reasons of cost” eschewed foreign soloists. This implies Johann Molter and other court composers had to keep their vocal writing relatively simple for the local talent. Perhaps so, but the end results were anything but second-tier. Molter has three solo cantatas on this […]
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#ClassicsaDay #ClassicalNine Week 1
September is the ninth month of the year. And so the #ClassicsaDay team decided to make the number the theme. For September 2018, the challenge is to post classical works that have to do with the number nine. I chose to alternate between nonets, opus nine compositions and works with a catalog number of nine. […]