Moritz Moszkowski was one of the most successful concert pianists of the 1890s. His fame today rests mainly on a small selection of his piano works that test the virtuosity of the performer. But this Polish composer wrote so much more; chamber music, concertos, and orchestral music. With this release, Toccata Classics launches an ambitious […]
Classical
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Opera and the Arts in the Age of Novel Coronavirus
The world is suffering through a terrible pandemic, the most catastrophic in a century. Apart from the impact the virus has had on public health, the effect on the arts, particularly the performing arts, has been devastating. Museums and performing venues have closed, performances have been canceled, and the very survival of arts organizations has […]
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Un’Arpa Straordinaria – Fine selection of Baroque harp music
Up through the Renaissance, harps were relatively simple instruments, able to play diatonic scales. In response to more complex music of the early Baroque, an arpa doppia, or double harp was developed. These harps had a second course of strings (tuned differently than the first). This gave the player more notes, with the two courses […]
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#ClassicsaDay #ClassicalDistancing Week 3
Normally the Classics a Day theme for May involved May Day (#SovietaDay). Having a theme centered around social distancing/self-quarantine seemed more appropriate. The challenge for May is post works for unusual solo instruments or works about solitude. Here are my selections for the third week of #ClassicalDistancing 05/18/20 Anon. 14th C. – Medieval dance The […]
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Trio of Mikolaj Gorecki works present balanced portrait
The three works in this release each present a different facet of Mikolaj Gorecki’s style. There are similarities: two are for orchestra; two feature a clarinet, horn, and piano trio. But each has its own character. Gorecki’s orchestral work Zan Tontemiquico was inspired by the pre-Columbian poem of Tochihuitzin. It begins “We only come to […]
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Early Baroque gems from Varie Sonate of Giovanni Battista Vitali
For the average person, I think, the term “Italian Baroque” conjures up the music of Vivaldi. But the Italian Baroque really began around 1600, and it took a while for the music — and the instruments — to complete the transition from the Renaissance. What struck me most about this collection of sonatas by Giovanni […]
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Calin Huma Symphony-Concerto a true original
Sometimes being an amateur — rather than a professional — has its advantages. I’m referring to the original meaning of ” amateur” — one who loves the subject. If you’re an amateur composer, you’re free from the constraints of professional composers. You don’t have to compose a certain way to gain commissions, or recognition, or […]
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A Fine Collection of Opéra-Comique Overtures
Michael Halász and the ORF Vienna Radio Symphony Orchestra deliver an attractive selection of French Opéra-Comique overtures. The genre evolved over time, from light, frothy entertainment to more serious and realistic subjects. But the overture was always a curtain-raiser. And that’s just what we get. Maestro Halász keeps things moving. Orchestral contrasts are suitably dramatic, […]
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Mieczyslaw Weinberg Sonatas for Cello and Piano
The more of Mieczyslaw Weinberg’s music I hear, the more complex he becomes. This release features his two sonatas for cello and piano. Each provides a snapshot of his evolving style. Sonata No. 1, Op. 21 was completed in 1945. The war was ending, and Stalin’s regime was just warming up. The sonata’s a jaunty, […]