Adrian Butterfield excels with Leclair Violin Sonatas

Jean-Marie Leclair was one of the most pre-eminent violinists of his day. Each collection of sonatas he published advanced the art of violin playing. The third book from 1734 challenges the player’s dexterity.

The fast movements are sometimes just a blur of notes. Leclair frequently uses double stops, and not always with the most convenient fingering.

This volume also shows a transition in style. This release features the first four sonatas from Book 3. They all have a four-movement structure that looks ahead to the Classical Era.

Adrian Butterfield plays with a clear, singing tone. It’s especially effective for the lyrical slow movements. He delivers Leclair’s most difficult passages with precision and musicality.

These may have been works written to develop the art of violin playing. Butterfield understands that they are also pieces to be listened to and enjoyed. And in that, he and his fellow musicians succeed.

Jean-Marie Leclair
Violin Sonatas Book 3 Op. 5, Nos. 1–4
Adrian Butterfield, violin; Sarah McMahon, cello; Silas Wollston, harpsichord
Naxos

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