on Jumpin' on the Bed
Saturday, November 3, 2012
4 pm (edt)
In Tim O’Brien’s music, things come together. The uncanny intersection of traditional and contemporary elements in his songwriting, his tireless dedication to a vast and still-expanding array of instruments, and his ongoing commitment to place himself in as many unique and challenging musical scenarios as possible has made him a key figure in today’s thriving roots music scene – and well beyond it. O’Brien’s presence – be it as a bandleader, songwriter, mentor, instrumentalist, or vocalist – has been strongly felt not only in his own rich music, but in the many recordings of his songs by such artists as the Dixie Chicks, Garth Brooks, Dierks Bentley, Nickel Creek, Kathy Mattea, the New Grass Revival, and the Seldom Scene, and in his recorded collaborations with Steve Martin, the Chieftains, and innumerable others. Most recently, O’Brien has been performing before capacity crowds in the band of Mark Knopfler, who described O’Brien as “a master of American folk music, Irish music, Scottish music – it doesn't matter; a fine songwriter and one of my favorite singers.”
O’Brien listens to bluegrass and hears the music’s roots in modal Irish ballads and vintage swing. He insightfully re-examines and reconstructs those styles, and many others, in his own music, throwing off new sparks by reawakening the tension and interplay of the colliding components at the heart of American music. “Over the years,” he explains, “my music has become a certain thing. Each time I go into the studio to make a new album, I could make an Irish record, or a bluegrass record, or a country record…but it seems artificial to sift anything out. I feel like I’d be leaving out something important. In the end, I just try to make it round…” As a songwriter, O’Brien has a gift for finding the profound hiding within the mundane, and bringing it out in a way that is both casually conversational and deeply felt.