The East Pointers head to WTJU, April 21
The East Pointers will stop by WTJU this Saturday afternoon, at 4 (edt) for a live session ahead of their Prism Coffeehouse & WTJU Presents concert over at C’Ville Coffee. You can catch them the following week at both Merlefest and Jazz Fest!
There’s a reason, beyond their dazzling musicianship and wildly entertaining live shows, that The East Pointers have connected with audiences right across the globe, making new, original roots music the hippest, most vibrant thing going.
The reason? The East Pointers – fiddler/singer Tim Chaisson, banjoist Koady Chaisson and guitarist Jake Charron – write about real life, sketching out its joys and sorrows in vivid strokes. That palpable authenticity makes their instrumental tunes practically cartwheel and infuses their lyric-driven songs with poignancy.
And it’s why listening to The East Pointers’ brilliant and hotly anticipated second album What We Leave Behind – produced by superstar East Coast-bred songwriter/producer Gordie Sampson – is akin to meeting up with an old friend.
As a follow-up to 2015’s internationally acclaimed, JUNO Award-winning debut Secret Victory, What We Leave Behind shares stories previously unheard but framed by a familiar context. The album reflects on the traditions of Canadian Celtic music, where it comes from, and what it means to the people, but also strides in new directions. With a captivating balance between their traditional-sounding instrumental tunes, and catchy radio-ready songs, The East Pointers reach out with open arms to a wide range of listeners, inviting them to discover a new love of folk music.
Never before have The East Pointers so deftly leveraged the whole spectrum of human emotion, drawing inspiration straight from the world they live in. That’s especially evident in a pair of striking new songs featuring Tim Chaisson’s lead vocals: the trembling first single ‘82 Fires’ and the melancholy ‘Two Weeks,’ co-written with Sampson amid recording sessions at Nashville’s famed Sound Emporium last winter, where What We Leave Behind was cut.
